Dimension Latina airs every Sunday from 2 - 6 pm (cst) on WLUW 88.7 FM Loyola University Chicago's Radio Station.
For the past 32 years, Dimension Latina has catered to the Latino Community, as well as other communities of the Chicago etropolitan Area, and its’ surrounding suburbs. The program consists of current news, public services and popular music of various Latin-American recording artists. The musical emphasis is on Tropical vibes, that include the most popular Afro-Cuban rhythms, better known as Salsa. Many other Tropical styles, such as Merengue, Latin Jazz, Bachata, Cumbia, Reggaeton, Pop Ballads and Latin House are also featured. Latin music produced by Latinos in Puerto Rico, Cuba, New York and all over the world has become the foundation for Caribbean music world-wide Dimension Latina's involvement with the community over the past 29 years has been continuous. Our program has been recognized by very important community leaders and contributors. Also, Dimension Latina has been instrumental for many of Loyola University's Latino students, as well as for volunteers in the communication and broadcasting fields. The radio program is entirely produced and run by dedicated volunteers and Loyola University's students who may also earn academic credits. ¡Que Viva Nuestra Música!
Escuchanos Ahora!
Celia Cruz
Was one of Latin music's most respected vocalists. A ten-time Grammy nominee, Cruz, who sang only in her native Spanish language, received a Smithsonian Lifetime Achievement award, a National Medal of the Arts, and honorary doctorates from Yale University and the University of Miami. A street in Miami was even renamed in her honor, and Cruz's trademark orange, red, and white polka dot dress and shoes have been placed in the permanent collection of the Smithsonian Institute of Technology. The Hollywood Wax Museum includes a statue of the Cuba-born songstress. According to the European Jazz Network, Cruz "commands her realm with a down-to-earth dignity unmistakably vibrant in her wide smile and striking pose." One of 14 children, born in the small village of Barrio Santra Suarez, Havana, Cruz was drawn to music from an early age. Her first pair of shoes was a gift from a tourist for whom she sang. In addition to spending many evenings singing her younger siblings to sleep, Cruz sang in school productions and community gatherings. Taken to cabarets and nightclubs by an aunt, she was introduced to the world of professional music. At the encouragement of a cousin, Cruz began to enter and win local talent shows. Although her father attempted to guide her toward a career as a teacher, Cruz continued to be lured by music. In a 1997 interview, she said, "I have fulfilled my father's wish to be a teacher as, through my music, I teach generations of people about my culture and the happiness that is found in just living life. As a performer, I want people to feel their hearts sing and their spirits soar." Enrolling in Cuba's Conservatory of Music in 1947, Cruz found her earliest inspiration in the singing of Afro-Cuban vocalist Paulina Alvarez. Her first break came when she was invited to join the band la Sonora Matancera in 1950. The group was revered as the Latin equivalent of the Duke Ellington Orchestra. Cruz remained with the group for 15 years, touring throughout the world. She married the band's trumpet player Pedro Knight on July 14, 1962. With Fidel Castro's assuming control of Cuba in 1960, Cruz and Knight refused to return to their homeland and became citizens of the United States. Although they initially signed to perform with the orchestra of the Hollywood Palladium, Cruz and Knight eventually settled in New York. Knight became Cruz's manager in 1965, a position he held until the mid-'90s when he began to devote his attention to serving as her musical director and conductor of her band. Leaving Sonora Matancera's band in 1965, Cruz launched her solo career with a band formed for her by Tito Puente. Despite releasing eight albums together, the collaboration failed to achieve commercial success. Cruz and Puente resumed their partnership with a special appearance at the Grammy Award ceremonies in 1987. Signed by Vaya, the sister label of Fania, Cruz recorded with Oscar D'Leon, Cheo Feliciano, and Hector Rodriquez in the mid- to late '60s. Cruz's first success since leaving Sonora Matancera came in 1974 when she recorded a duo album, Celia and Johnny, with Johnny Pacheco, trombone player and the co-owner of Fania. She subsequently began appearing with the Fania All Stars. Cruz's popularity reached its highest level when she appeared in the 1992 film The Mambo Kings. Cruz also appeared in the film The Perez Family. She sang a duet version of "Loco de Amor," with David Byrne, in the Jonathan Demme movie Something Wild. In 1998, Cruz released Duets, an album featuring her singing with Willie Colon, Angela Carrasco, Oscar D'Leon, Jose Alberto "El Canario," and la India. Cruz continued to record and perform until sidelined by a brain tumor in 2002. While recovering from surgery to remove the tumor, she managed to make it in to the studio in early 2003 to record Regalo de Alma. Her surgery was only partially successful and she died July 16, 2003. The passing of the "Queen of Salsa" left a huge gap in Latin music, but also a remarkable catalog to document her reign. Source : All Music Guide, Written by Craig Harris
Codiscos lamenta el fallecimiento de El Maestro Tito Gómez Bogotá D.C. Junio 12 de 2007. Sin duda el país se ha quedado sin uno de los más importantes intérpretes salseros de todos los tiempos, Tito Gómez, quien murió esta madrugada en la Clínica Valle de Lilí en Cali . El mundo de la música y particularmente Codiscos lamentan el fallecimiento su artista exclusivo y cuyo legado quedó materializado en el CD y DVD, este último grabado en Medellín este año, Tito Gómez, lo nuevo y lo mejor que sería lanzado al mercado esta semana y en el cual Tito presentaría sus más grandes éxitos así como temas inéditos que muchos seguidores estaban esperando. Luego de varios meses de grabación en Medellín, Tito Gómez preparaba con gran expectativa lo que sería su reaparición por la puerta grande, pues uno de sus nuevos temas “Fue tan fácil”, que se viene promocionando desde hace varias semanas, fue bien recibido por los conocedores de la salsa y por sus seguidores. Codiscos acompaña a sus familiares y amigos en este momento y lamenta profundamente la repentina desaparición de este querido artista. Tito Gómez nació el 9 de abril de 1948 en Juana Díaz, Puerto Rico y llegó a Colombia en 1984. Su voz se ha destacado en importantes agrupaciones como La Sonora Ponceña, el Conjunto de Ray Barreto, La Terrífica y el grupo de Charlie Palmieri, entre otras. Trascendiendo fronteras, encamina su dirección al llegar a Venezuela, donde pertenece a la orquesta La Amistad. Y posteriormente llegó así al lugar que se ha convertido en su hogar, Colombia, donde integra el Grupo Niche destacándose como solista. Junto a esta agrupación, el intérprete boricua selló la internacionalización de su talento. Entre algunos de los temas que se han convertido en éxitos en su voz se encuentran “Guararé”, con Ray Barreto; “Paño de lágrimas” y “Prende el fogón” con la Sonora Ponceña y otros con el Grupo Niche. En 1992 Tito Gómez lanza los temas “Déjala” y “Déjame volver”. Siguiendo esta línea de éxitos, lanzó su segunda propuesta “Agradecimiento”, producción en la que sobresale por los temas “Ganas” y “Página de amor”. Cortesia de El Departamento de Comunicaciones de Codiscos.
